Monday, July 19, 2010

SUMMER SOUTHERN BURN TOUR DIARY: Part I


Also, I just got back from a month-long tour with Zoroaster, Black Tusk, and Dark Castle, the latter of whom I was slingin' merch and haulin' gear for. I documented our travels and travails in a tour diary for Brooklyn Vegan. Here's part one.

http://www.brooklynvegan.com/archives/2010/06/tour_diary_kim.html


June 15th - Birmingham, AL @ the Nick

The first day of tour is always madness, especially when you wake up late and still have a thousand things to get ready. After merch, equipment, loading, and the procurement of the other roadie, Ben, Team Dark Castle ended up leaving two hours later than anticipated, and still got to Birmingham before the Black Tusk or Zoroaster bros. After eight hours of Panhandle scenery punctuated by gas station stops and Rob's freestyling up front (3 6 Mafia never fails!), we were pretty stoked to get to the Nick and slam down a couple drinks at the rickety old bar. With a ceiling plastered in old flyers and promo photos and a bar staff that was just oozing with Southern hospitality, the Nick seemed primed to deliver a good time. The crowd wasn't huge but were crazy enthusiastic; Dark Castle had the biggest audience of the night, but Zoroaster had the most energetic. I never thought I'd see the day that dudes in Blacklisted shirts would be picking up change to "Spirit Molecule," but there's a first time for everything. Dark Castle hauled out two new songs, opening with an untitled number then dropping "Seeing Through Time" like an atom bomb halfway through their set. Cheap drinks, killer sets from Black Tusk and Zoroaster, and a reunion with our good friend Jamie rounded out one hell of a first night of tour. The 3:30am Waffle House run and Black Tusk/Dark Castle slumber party afterwards was just icing on the cake.


June 16th - Memphis, TN @ Hi Tone

Thanks to Black Tusk bassist/throat Athon's good ol' boy charm, we checked out of the hotel late enough to keep our collective hangovers at bay, stopping at Waffle House again on our way out (expect to hear plenty more about this particular establishment from here on out). We had a short drive to Memphis, and took advantage of the extra time to stop at one of the sketchiest grocery stores I've ever seen (and I live in West Philly!) and load up on van food. As soon as we and Zoroaster met up at the Hi Tone, a dilapidated-looking building hunkered down next to a couple check casing joints and a gas station, it started pouring rain. It rained, and rained, and rained; load-in was treacherous to say the least. Inside, though, it was rock'n'roll paradise, with good food at the bar, ample space to set up our merch fortress, and plenty of room for gear and hanging. The show started late, with local boys Galaxicon throwing down some cool spacey doom (think Minsk, YOB, Atlas Moth) held down by a killer drummer/vocalist. The rest of the show went smoothly, and we sold a ton of merch. This time we cuddled up with Zoroaster and headed out early the next morning on Dan's goading.

June 17th - Breakdown in Van Buren, Arkansas

After bidding farewell to the Georgians, we hit the road and were making great time when all of a sudden, the van started acting weird. We had no idea what a nightmare this would turn into, but quickly realized - shit's not right. Ben took a look and offered up suggestions, so we'd try one thing, go for a bit, break down, repeat, repeat. Eventually the van died completely by the side of the road somewhere in Arkansas. We managed to flag down a nice lady who gave us a jump then took us over to the closest autobody shop to try and resolve the issue. They towed the van back to Larry's Wrecker in Van Buren, AK and fiddled around under the hood while we sweated and worried outside the shop. It became apparent that there was no way we were making the Oklahoma City show that night, so Dark Castle called the promoter and other bands and let them know what was up. Fast-forward a few hours, and the four of us had finally given up for the evening, retiring to a nearby Motel 6 to do laundry and try to get some sleep. Before we crashed, we decided that a beer or three was necessary, and headed off down the road on foot to find a watering hole. To our absolute horror, we discovered that, of all the places in the world to break down, we'd done it in a dry country! Thankfully we ended up at a Chili's that was inexplicably allowed to serve us (overpriced) booze, and Rob had his first Long Island Iced tea, so the night wasn't a total bust.


June 18th - Day 2 in Van Buren

We woke up early and, with fingers crossed, went down to check on the van. Good ol' Larry had determined that the problem lay with the van's computer, so after graciously refusing to charge us for the hours he'd put in under the hood, he took the van (with Stevie) over to a Dodge dealership to get it looked at. In the meantime, Rob, Ben and I settled in at, yep, Waffle House for a long wait. Our kindly waitress Diana took a shine to us and helped speed the time along by regaling us with stories of her moonshine makin' days and slipping us virgin tequila sunrises. As she was leaving after her shift, she offered to take us out for a beer in the next county over, and we figured - why the hell not? We ended up at The Branding Iron, which was everything you'd expect from a bar in Fort Smith Arkansas - Confederate flags everywhere, methed-out locals laughing at my accent and playing AC/DC on the jukebox, antlers and light-up Miller signs on the wall, pool tables, grizzled old bikers, makeup-caked old hags, and our dear sweet Diana, who slipped us a joint before she went home. Another local gave us a ride to the Continental Motel down the street, where 45 bucks got us two beds (with moth-eaten sheets), some 70's era décor, and access to a teeny-tiny pool ringed by leering residents. It was shadier than anyplace any of us had ever stayed at before; we were too skeeved out to leave the premises after dark, so we ordered Domino's and crashed early, hoping against hope that we'd finally make it out of that godforsaken speck the next morning.

June 19th - Austin, TX @ Emo's

We got out of there as fast as we could the next morning after we picked up the van, and somehow managed to escape. We passed through Oklahoma (through Cherokee and Choctaw territory, and, to my immense delight, Muskogee) and headed into Texas,, bound for Austin. We got there on time, loaded out, and were reunited with all of our long-lost tourmates and a few old friends as well. Austin is a fucking awesome town for live music, and we had a blast being there. That was a messy night; we all started out with six drink tickets apiece and went from there. Dark Castle got a crazy response, Black Tusk are endlessly entertaining, and I couldn't be more excited about seeing Zoroaster bring the hammer down every night for the next month. We made out like bandits on merch that night, and stayed up way too late partying after hours, before all twelve of us squeezed into a room and crashed out at stupid o'clock.

June 20th - Day off - Lubbock, TX

Breakfast at Denny's, then more van trouble. This time it was the water pump - when it rains, it pours! After spending a frantic hour searching for an open auto repair joint in Texas on a Sunday morning, in Texas (mission: nearly impossible), we struck gold, and spent the next four hours waiting, hoping, and scumming up the Firestone lobby. Repairs finished, we got back on the road and headed west to Lubbock, TX where our friend Paul from Absu had offered to put up all three bands. We rolled in around eleven and immediately commenced barbequing, drinking, and heavy metal singalongs until the wee hours.

June 21st - Albuquerque, NM @ Burt's Tiki Hut

"Being in a band is like having four girlfriends. Except you can't fuck 'em, so it's no fun!" - Andrew, Black Tusk guitarist/vocalist.
Burt's Tiki Hut was uber-kitschy and plastered with tropical doodads, the bartenders mixed their drinks strong, and the bar itself packed full of crust punks in cowboy boots (seriously). Definitely a weird spot, but Dark Castle's set went down a storm, Zoroaster had every head nodding in stoner bliss, and Black Tusk - well, Black Tusk put on even more of a show than usual, without even trying. A very drunk, very friendly girl in a very short skirt clambered onto the stage during their set and started dancing around, shaking her ass and whooping into Andrew's microphone through at least two songs. The crowd (and the band!) ate it up, though she was smart to hop down before Andrew could kick her off for stomping all over his pedals.


June 22nd - Scottsdale, AZ @ Rogue

Arizona is absolutely gorgeous, at least if you're driving through the forests and mountains around Phoenix. Scottsdale is considerably less exciting. The first band slipped by without us really noticing, but the second, Via Vengeance, was absolutely mind-blowing! A one-man doom project that absolutely filled the room with pummeling, engaging doom, tinged with death and filthered through a thick layer of sludge, and made simultaneously playing guitar, drums, and vocals look effortless. Truly impressive. Dark Castle ran into major technical difficulties during their set when they discovered that there was only one power outlet available for the entire stage, but persevered. Zoroaster and Black Tusk brought it as always, though the crowd was less than impressive. These middle of nowhere shows are starting to wear down our morale.

June 23rd - Ramona, CA @ Mainstage

What a DEBACLE, in every sense of the word. Things started off fine, with a legit venue and hospitable staff, but by the time the first local band went on, it became apparent that something was wrong. The crowd war barely there, and made up entirely of the two beyond goofy locals' high school-aged friends, who promptly cleared out as soon as the second one got offstage. There were about seven people left during Dark Castle's set, and once they finished (after dealing with a dickhead sound guy) it came out that the owner of the club was canceling the rest of the show - before Zoroaster or Black Tusk could play. The handful of fans who'd come out for the touring package were bummed, but not as bummed as we were; seriously, who does that? The show was clearly not promoted at all, and the money situation was a mess. Note to booking agents and bands: do NOT every play this venue, unless you're in the mood to get royally screwed.


June 24th - West Hollywood, CA @ Viper Room

LA is a weird town. We got in early and spent some time wandering around the Sunset Strip and drinking a whiskey or two at the Rainbow (sadly, no sign of Lemmy or any glam-rock casualties at the bar) before dealing with the absolute clusterfuck that was load-in. The Viper Room is a cool joint, but very small and with very strict rules; we had barely any room at all (like, two feet or so of the bar) for merch and had to share a bunch of equipment and leave our gear outside until fifteen minutes before each band played. Annoying, but it was still a good show and a few rad friends from Metal Blade and Decibel came out to hang. We only got a couple drink tickets apiece, but since it was LA, where everyone is almost someone and likes to prove it by buying you drinks, we managed to party pretty damn hard. Zoroaster rolled off to stay in their friend's porn mansion (hello, LA), Black Tusk spent the night at a rest stop, and we ended up crashing in Ben's friend's living room

June 25th - Oakland, CA @ Metro

Six or so hours in California traffic later (I'm surprised Rob didn't lose his mind), we got into Oakland way earlier than expected, and killed time wandering around the neighborhood and waiting for the promoter to get in touch and let us know what the hell was going on, 'cause no one else had any clue. The venue, the Oakland Metro Operahouse, looked like a total DIY spot, but once the staff showed up and opened the doors, we discovered that it was quite the opposite - a full-on theatre, with a bar, backstage, tons of room for merch, and a really cool atmosphere. The promoter and staff were awesome and incredibly hospitable (the way to a band/road crew's heart is paved with free beer and hot meals) which made up for the attendance. There was definitely a crowd, and plenty of people bought merch and got excited about the bands, but the high door price and nature of the venue (according to a friend of mine who lives there and runs shows out of his basement, Oakland's more of a DIY house show kind of town) dragged the turnout down. Zoroaster and Stevie from Dark Castle have been plotting to do a song together for days, and finally made it happen tonight when she hopped up onstage during "Spirit Molecule" to do guest vocals. It was an absolutely hypnotic performance, and one that I believe they're planning to repeat. During Black Tusk's set, the crowd showed more energy than they had all night, including this crazy tweaker dude that was going nuts and even attempted an ill-fated stagedive. Luckily for him, the stage was only a few feet high...

MARYLAND DEATH FEST Recap

I originally wrote this for Brooklyn Vegan but haven't seen it posted yet. Once Fred gets it up I'll add a link, but until then, enjoy the madness that went down.



MDF isn’t just a concert, it’s an event, as any of you who have made the pilgrimage down to Baltimore to bask in the glow of this heavy metal mecca can attest. “America’s Biggest Metal Party of the Year” has been besmirching the perpetually befouled streets of Brawltoscore for almost a decade, and this year’s edition (the eighth!) boasted the kind of lineup that had heshers the world over popping sweatpants boners. Headlined by the freshly exhumed death metal gods Autopsy and packed with top-of-the-line bruisers like Entombed, Incantation, Pentagram, Watain, EyeHateGod, and literally dozens more, this year’s incarnation might have been the best yet. Now if only they’d managed to get Bolt Thrower back here…

So on Thursday, May 27th, I packed a couple friends and way too much booze into my little white car and headed down a day early to catch the preshow. we’d seen PLF and Gride brutalize a house show in West Philly the day before, but decided we couldn’t stand to miss Birdflesh or General Surgery. Best decision that could’ve been made! We rolled up right as PLF stalked onstage and pierced the sound barrier with their don’t-give-a-fuck Texas grind, then caught Iron Lung’s always killer, hellaciously heavy two-man powerviolence assault. Bouncy grinders Birdflesh left their usual summer dresses and makeup at home (bummer) but they made up for it by donning silly hats and kicking copious amounts of ass. The highlight of the night was definitely General Surgery; their attractively blood-splattered butcher ensembles complemented their gory Necroticisms like fine wine. Plenty of bands rip off Carcass, but I’ve yet to see one that does a better job of it than General Fucking Surgery!

Day 1 of the actual fest served as a warmup for the chaos that was to come. The main event (fucking Autopsy!) wasn’t for a good long while, but my party managed to drag ourselves into the sunlight in time to soak in some of Brooklyn’s heaviest, the blackened downward spiral doom of Tombs. Then a quick dash outside to check out a few songs from cryptic Aussie black metallers Nazxul, who made their US debut with the sun beating down on their berobed shoulders and melting corpsepaint (poor chaps).

Due to flight disruptions both Sadistic Intent and Possessed (well, same thing) were forced to fly in the next day, so a little reshuffling ended up placing Watain inside. I got down with Malignancy’s caveman NYDM for awhile but missed Watain (preferring to keep the memory of their first blood-drenched US tour fresh and morbid) and apparently missing out on seeing the surly Swedes thoroughly beat down Harald, the high-spirited bassist of crossover legends D.R.I, when the latter ran onstage during their black metal rites. Dick move, guys – we know, you’re grim, WE GET IT.
I did catch some of the revitalized Gorguts lineup, and while I personally could care less about widdly technical stuff, the legions of fans pressed shoulder to shoulder against the barricade and screaming their lungs out clearly begged to differ. For many people, this band was their sole reason for attending, and thankfully, LeMay & Friends put on a killer show for them. The band debuted some new material as well, which got more than one tech geek’s panties wet! The band I personally came out to see that day was Coffins, who slowly and joyfully (judging by frontman Uchino’s perma-grin onstage) laid waste to the stage with slabs of fetid, doomy, creeping death metal. I’d have killed to see them play again, but was luckily spared the homicide conviction when some crusty handed me a flyer for an aftershow with Coffins, Massgrave, and Oak. Fuck yeah!
D.R.I. picked up the pace with their vintage punked-out thrash riffs, hauling out the hits and spurring on a neverending circle pit. seemed to have recovered nicely from his Watain encounter, and the whole band just radiated energy – you could tell they were having a good time, and so were we. The medley of classic covers they ran through was the icing on the cake – “Master of Puppets,” “Into the Void/N.I.B.”, Iron Maiden’s “Running Free, and“Holy Diver” and “Heaven & Hell” for our dearly departed Dio.

Once the shouty security guards had herded us all out of the parking lot, I collected my crew and headed off to the aftershow, which ended up going down in a squat at the top of three rickety flights of stairs. The organizers of the show were running pretty “punk-tual” so shit ran mad late, with Coffins playing to a sparse but ravenous crowd as the sun rose behind them (I am trying so hard not to make a “Land of the Rising Sun” joke here). Massgrave ground us into a pulp and Oak brought the blackened hammer of doom down hard, but the night (and morning) belonged to Coffins.


Day 2 was stacked so hard it made Jenna Jameson look flat. I somehow made it in time to catch a few songs from Mexican death squad The Chasm (so underrated; look them up) then ran in to catch my beloved Jucifer, who, even with a much smaller setup than usual (I only counted about six amps!) managed to absolutely overwhelm an entranced crowd with choice cuts off their latest record, Throned in Blood. I spent all day running around like a maniac – lots of conflicts and near-conflicts, but I managed to at least wander through almost every band I cared about. After Jucifer’s set, I peeked in on Sadistic Intent. A few rehashed proto-death riffs later, and I was over it; Jeff Becerra came out halfway through to do some Possessed songs (they did a “combined” set) but I was long gone by then, ensconced inside the venue getting my groove on to the mighty Impaled, who are one of the most consistently fun/brutal live acts I’ve ever seen. Aussie grind’n’roll terror squad Blood Duster swaggered onstage and promptly spat out a rollicking set of corpse-raping classics like “Knee-Deep in Menstrual Blood,” “Piss Stomper,” and “Kill Kill Kill,”, pumping up the crowd and giving the least fucks of any band that weekend. Wicked.

Fifteen minutes before Melechesh were due to hit the stage for their first-ever US performance, I passed by mainman Ashmedi in the hallway, stopping to give him a quick hug and tell him I was stoked to be seeing them play again. “Fifteen minutes?! Shit, I’d better get onstage,” he sputtered, hurrying off. Turns out the whole band were running a bit late, which wasn’t helped by the seemingly endless intro music that blared out at the rapidly sunburning crowd. Once they were on, though, they were ON, as their trademark slithery Middle Eastern melodies wove through viciously blackened riffs like poison asps. Melechesh threw down a memorable set and got a good reaction, though their lollygagging cut their set short enough to get ‘em yanked offstage before they could play “the hit” – the criminally catchy “Rebirth of Nemesis.” Bummer! Cozying up to the stage for Incantation right afterwards soothed the pain, though, as New Yawk’s heaviest hauled out riff after time-honored riff of down-tuned, pummeling old-school death, unveiled a new song or two, and stopped to pay tribute to two deceased legends with Death and Dio covers.

Grind gods Repulsion were all business, tearing apart Horrified like a pack of rabid wolves. Marissa Martinez from Cretin came out to shred on a couple songs, and hearing “Festering Boils,” “The Stench of Burning Death,” “Maggots in Your Coffin,” and “Black Breath” blasting across the entire festival was an unholy revelation. They even played a fucking Venom cover! I’ll never listen to “Schizo” the same way again. Repulsion were an incredibly hard act to follow, but Asphyx forged ahead, laying down track after track of vintage Swedish death (the brutal way) and leaving plenty of aching eardrums in their wake. And really, how can you not love Martin van Drunen? Everything dude touches turns to black gold. I bailed on their last few songs to fight my way through the gathering horde and get a spot near the stage for Autopsy. This band was a major draw for damn near everyone at the fest, myself included, and to our great relief and inescapable glee, they DESTROYED. Chris Reifert is a masterful frontman, even from behind the kit, and that sound – that fucking sound. Many try to sound like Autopsy, but no one comes close to replicating the sheer primitive genius behind songs like “Twisted Mass of Burnt Decay,” “Embalmed,” “Severed Survival,” “Slaughterday,” “Ridden With Disease,” Service for a Vacant Coffin,” and world-ending closer “Charred Remains.” Far from seeming tired or mechanical like so many other reunited bands do, Autopsy were on fire, enlisting the tall man Danny Lilker to hold down the low end, and Reifert’s immortal gurgle is as nasty as ever. They recently announced plans to record a new record and play more shows, so it’s really true – Autopsy have risen!

How do you follow Autopsy? You cover Dio, I guess. , Deceased covered “Stand Up and Shout” during a characteristically ornery and fast-paced set. King Fowley was as over the top as ever, pretending to maul his cohorts between chestnuts like “Night of the Deceased” and “Shrieks from the Hearse.” Reunited by grime and crust , the Swedes of Wolfbrigade stormed the stage with their raging d-beat assault, breathing new life into the flagging circle pit and sending bodies flying with “Hour of the Wolf,” “No Future,” and “Basic Urge to Kill.” Up the punx!

Portal were the last band to darken the stage that evening, and darken it they did, swathed in black robes, masks, and hangman’s nooses. Their oppressive, twisted take on bottomless black/death was even more intense and suffocating live, drowning out everything else around them and laying a blight upon all who listened. I still think they sound like Conqueror on downers, but ain’t nothin’ wrong with that. A hellish way to end a long, hot day.


Day 3 was brutal, in more ways than one. I made it back to Sonar just in time to catch what I thought would be the last few minutes of Rompeprop’s set. They inexplicably played an extra half hour, though, which gave me ample time to bounce around and circle it up for everyone’s favorite Dutch pornogrind goofballs, absurd toilet flush vocal effects and all. These dudes are literally the most fun live band I’ve ever seen – and you can’t argue with lyrical poetry like “I Am the Dolphon Blowhole Fucker” and “Dislokating Purple Stoma.”
Crucifist were, musically speaking, as tight, dirty and mean as always, but their stage presence could use a little work. Ditch the robe, panda paint, and crucified cat skeleton, dudes – just keep grinding out those sweet black/thrash/punk/filth riffs and leave the dressup to the Scandinavians,. Speaking of which, the Somberlain-loving Swedes in Necrophobic played outside, which meant their leather daddy getups and corpsepaint looked way sillier than their razor-sharp melodic black/death metal deserved. Black metal just doesn’t work in the sunlight.
Distorted Delta blues, on the other hand, holds up just fine, as veteran sludge warriors EyeHateGod cruised through a loose, murderously heavy set of classic cries for help from Dopesick/Take As Needed For Pain , throwing in a new jam or two to remind us that they really are working on new material (I swear! They promised to have it out by spring!). Mike IX was in high spirits and Jimmy Bower’s face was lit up like a Christmas tree as they and the boys proved once again that EyeHateGod are fucking back, and they ain’t goin’ nowhere.
I ignored Pestilence because they are boring (truth hurts) and bummed around ‘til it was time to ping-pong over to Pentagram (with Victor Griffin back on the axe) who gave us what we wanted, slow and sleazy. “Forever My Queen,” “Relentless,” “20 Buck Spin,””Sign of the Wolf…” oh yeah, baby. Even if it was the exact same set they’ve been playing for the past year or so, Bobbly Liebling’s still alive, which is an impressive enough feat that I don’t feel like I can hate on ‘em.


I also caught a glimpse of Nirvana 2002. Technical difficulties shortened their set to a half hour and I still don’t see what all the hype was about (sorry, BBG) but what they did (old-school Swedish death), they did well. Entombed were a bit of a letdown as well, going through the motions as they knocked out a bunch of their so-so “death’n’roll” songs before closing with the essential “Left Hand Path. Obituary, on the other hand, proved they’ve got plenty of mileage left in their swampy Florida death grooves, pulling out a lot of new material alongside the eternal “The End Complete” and “Chopped in Half” and a pointless drum solo (seriously, stop it) before ending with the one-two punch of “Slow Death” and “Slowly We Rot..”

The three and a half seconds I caught of Magrudergrind sounded pissed as usual, but the considerably longer span of time I got to spend with Capitalist Casualties gave ‘em a run for their money. Fast, hard, relentless, and punk as fuck, Cap Cash tore it up and burned it down. I’d never heard of crusty hardcore OGs From Ashes Rise before MDF (sorry, BBG) but ended up being well impressed. They somehow managed to wake up a roomful of hungover, beaten-up metalheads, get ‘em to throw all their energy into one last circle pit of death, and closed out the show on a sky-high notes. D-beat uber alles.

See you next year, Sonar. Let the recovery (and detoxing) begin…

Sunday, July 18, 2010

July already?

This year's been flying by! I've been MIA from this thing for ages (sorry) due to a massive life change or three and the busy bee status that came with 'em, but you can expect to see a bit more posts on here from now on. For now, here's some stuff I've been jamming hard (alongside the Lil Wayne/Birdman collaboration. So good!).

Favorite Records of 2010 (so far)

The Wounded Kings - Shadow Over Atlantis (I Hate)
Coffinworm - When All Became Nothing (Profound Lore)
Church of Misery - Houses of the Unholy (Rise Above)
Thou - Summit (Gilead Media)
Ludicra - The Tenant (Profound Lore)
Wolvhammer - Black Marketeers of WWIII (Init)
Amebix - Redux (Profane Existence)
Encoffination - Ritual Ascension Beyond Flesh (Ritual Death)
Dispirit - Rehearsal at Oboroten (demo)
Ramesses - Take the Curse (Ritual)


Favorite Songs of 2010 (so far)

"Glory To The Gods on the Highest" - Sabbath Assembly - Restored to One (Ajna Offensive)
"Strip Nude for Your Killer" - Coffinworm - When All Became Nothing (Profound Lore)
"Clean White Void" - Ludicra - The Tenant (Profound Lore)
"Arise" - Amebix - Redux EP (Profane Existence)
"Red Eyes, Black Skies" - Black Tusk - Taste the Sin (Relapse)
"Black Hole" - Zoroaster - Matador (Ei)
"Swarm Intelligentsia" - Kerasphorus - Cloven Hooves at the Holocaust Dawn (Nuclear War Now!)
"Atlantic Light" - Altar of Plagues - Tides (Profound Lore)
"Beginning of the End" - Panopticon featuring Rob Miller (Amebix) - Collapse (Lundr)
"A Curse" - The Body - All the Waters of the Earth Turn to Blood (Aum War)

Thursday, May 27, 2010

MUTANT SUPREMACY Update



This just in:
NYC death metal brutes Mutant Supremacy have parted ways with guitarist Daniel Satanas; replacing him will be axeman Curt Johnson. The revitalized lineup is ready to lay waste to New York alongside Obliteration and Necromantheon on June 3rd at Fontana's.

Trust me, you REALLY need to LISTEN TO THIS FUCKING BAND!

www.myspace.com/mutantsupremacybrooklyn

For Those Of You That Couldn't Make ROADBURN This Year...

Walter - the heart, soul, and benevolent overlord of the mighty Roadburn apparatus, and the sweetest dude ever - just sent me this email about the new audio streams that just went up on the Roadburn.com site. You can listen in and relive/catch up on the magic my boys in Nachtmystium, YOB, and a host of others laid down in the shadow of volcanic doom. Oh, and also - make sure to check out Shever's crushing witch doom rituals - this all-female Swiss outfit was a festival highlight for me. Awesome!


With a bunch of YOBs in Antwerp ost-'burn


First Roadburn 2010 audio webcasts now on line; performances by Nachtmystium, Yob, Earthless and Brant Bjork amongst others.

Finally, the volcanic dust has (almost) settled! For everyone no longer fighting short term memory loss and extreme fatigue caused by sleep deprivation and sensory overload, get ready to re-live the highlights of Roadburn Festival 2010.

For everyone who could not make it due to the mighty Eyjafjallajokull eruption, now is your time to enjoy the festival without any hassles. And for everyone who could not magically clone ourselves to simultaneously catch all of the action in the Bat Cave, Green Room, Midi Theatre and Main Hall and felt kind of bummed about it, cheer up!

We are pleased to announce that VPRO 3voor12, which is the leading cultural media network in the Netherlands, has posted additional on-demand audio streams for your Roadburn 2010 listening pleasure.

Online now! Performances by Brant Bjork, Earthless, Firebird, Horisont, Nachtmystium, Pagan Altar, Shever, Trinacria and Yob are currently available on-demand for free at: www.roadburn.com


As many of you already know, nearly all of the performances at Roadburn 2010 were recorded. Right now we are still busy mixing, but you can be sure that we will share the finished results with you as soon as they are ready!
For more info, please visit: www.roadburn.com

Saturday, May 22, 2010

CHILD ABUSE Review

Elise from Reign in Blonde told me to listen to Child Abuse, a new-ish NYC outfit that she wuvs. Here is my reaction to the song "Wrong Hole:"

"Oh god. this sounds like an angry fax machine. With Gremlins trapped inside. And possibly a small broken toy piano. And a machine gun. Oh my god is there a cat in there?! I think Disgorge are gangbanging Iwrestledabearonce in there...and someone isn't happy about it."

If that sounds like your bag, uh, check 'em out I guess.
http://www.myspace.com/childabuse

I'm gonna go listen to Take As Needed For Pain again.

Monday, May 17, 2010

ALTAR OF PLAGUES/VELNIAS North American Tour Dates!



I have been waiting anxiously for these dates to be announced since the guys first told me they were coming to the States. We met, partied, and bonded hard at Roadburn earlier this spring, and not only is the black metal art they create nothing short of breathtaking, they are some of the sweetest, most ridiculously fun dudes I've met in a good long time. Also,I totally have a massive crush on the drummer, but that's neither here nor there, haha! Seriously, though, they are amazing live, and the shows they've got lined up are going to rule. That's a guarantee. I'm bummed I'll miss seeing them with Fell Voices, Worm Ourobouros, Kerasphorus (goddamnit Frisco!), Lake of Blood, Coffinworm, or Thou, but at least the East Coast gets 'em with Castevet (favorites 'round these parts). I might end up tagging along for a couple dates - we'll see how our respective tours line up.



ALTAR OF PLAGUES/VELNIAS North American Tour, Summer 2010

JULY
07/09 - Seattle, WA @The Fun House (w/ Mamiffer)
07/10 – Portland, OR @ Berbatis
07/11 - Salem, OR @ Burial Grounds (w/ Plutocracy, Fell Voices, Galdr, Ash Borer, Mania, Hell, Anadonius)
07/13 - Eugene, OR @ Warehouse (w/ Rye Wolves)
07/14 - Arcata, CA @ The Aloha House (w/ Fell Voices, Ash Borer)
07/16 - San Francisco, CA @ Elbo Room (w/ WORM OUROBOROS, Inquisition, Kerasphorous, Fell Voices)
07/17- Oakland, CA @ Your Haus (w/ Fell Voices, Elk, Lake of Blood)
07/19 - Salt Lake City, UT @ TBA
07/20 - Denver, CO @ Blast-O-Mat
07/21 - Dallas TEX, @ Phoenix project Collective
07/22 - Baton Rouge, LA @ Northgate Taverne (w/Thou, Barghest)
07/23 – New Orleans, LA @ Big Top (w/ Thou, Tirefire)
07/24 - Atlanta, GA @ Drunken Unicorn (w/Thou)
07/25 - Birmingham AL, @ The Firehouse (w/Thou)
07/26 - Greensboro, NC @ CFBG's
07/28 - Richmond, VA @ TBA
07/29 – Washington, DC @ DC 9
07/30 - Baltimore, MD @ The Sidebar (w./CASTEVET)
07/31 – Philadelphia, PA @ Kung Fu Neck Tie (w/ CASTEVET)

AUGUST
08/01 - Brooklyn, NY @ Union Pool (w/ KRALLICE, CASTEVET)
08/03 – Boston, MA @ Great Scotts – Allston
08/05 – Columbus, OH @ The Summit
08/06 - Indianapolis, IN @ The Dojo (w/ COFFINWORM)
08/07 – Chicago, IL @ The Shaker

Monday, April 12, 2010

LISTEN TO THIS FUCKING BAND: The Gates of Slumber



Great dudes, great band, and holy fucking epic! Trad metal as it should be played - with skill, precision, and a whole lotta fuckin' balls. Dirty denim'n'leather, Icarus Witch, Judas Priest and Pagan Alter-worshipping sonsabitches from the desolate Midwest who came thundering out from the prairies with a Profound Lore debut and are now pummeling the masses with their brand-new Rise Above-sanctioned slab, "Hymns of Blood and Thunder." They just tore it up with Weedeater and Black Tusk in Illadelph a few days ago, are hitting Europe hard with Cathedral and Church of Misery this month, and will be mercilessly storming the mellow stages of Roadburn 2010 in a few short days! I'll be there to take in the carnage.

BLOOD AND THUNDAAAAAAAAAH!

Oh, and, duh - LISTEN TO THIS FUCKING BAND.

Friday, April 9, 2010

Pensées Nocturnes Have "News to Spread"

As a writer, I often get unsolicited emails from publicists, promoters, bands, and various industry schmucks (as well as the inheritance-wielding Nigerian bankers we all know and love). Most of the time it's fine, a lot of the time it's annoying (seriously, I DO NOT CARE that Psychostick or Stigma are touring) and once in awhile, it's really fucking cool, and I find myself being introduced to new bands that I'd have otherwise never encountered. This is one of those (read it to yourself in a French accent for extra adorability):




For the release of the second "Pensées Nocturnes" album : "Grotesque", out on March 27th, LADLO Productions propose you an Ultra Limited (yet cheap) “GROTESQUE pack” (CD + T Shirt + Patch). Pensées Nocturnes is a mix of innovative and avant-gardist Black Metal acclaimed by the press.

http://www.myspace.com/ladloproductions
http://www.myspace.com/penseesnocturnes

Tracklist

1 - vulgumpecus
2 - Paria
3 - Rahu
4 - Eros
5 - Monoses
6 - Hel
7 - Thokk
8 - Next



The best part is that I've listened to the record, and it's really good! Very avant-garde, in the "let's incorporate some vague militaristic elements, some gothy clean vocals, keyboards, free jazz, and a whole bunch of other shit and see what sticks" kind of way, with the grime and gloom of black metal smeared all over it. Carnivalesque, in a Sigh sort of way, but imbued with just enough of that eerily eldritch French take on post-rock to appeal to more adventurous fans of Amesoeurs, too. It's a shame that this album won't be given the kind of attention the latest pile of bollocks from Century Media Deathcore Band #7 or Washed-Up Hair Metal Band #47 will be getting from the Twitterverse ; music like this is what keeps metal interesting, and keeps pushing its boundaries past the mouth of hell. So check them out, spread the word, and tell me what you think.

Tuesday, April 6, 2010

EYEHATETOURING



Literally COULD NOT BE more stoked for this. My favorite band and a bunch of my favorite dudes, palying my favorite (legal) Philly venue, on the day before I graduate and leave college behind forever? Fuckin' hell. My only complaint is that the Atlas Moth and Howl won't be at the Illadelph date, so I'll have to wait a little longer to see their precious little faces again. Why not make this into one of those retarded 'fests' like Summer Slaughter, except with only good bands? They're halfway there already.

Best Tour of 2010. No fucking question about it.


6/03/2010 Backbooth - Orlando, FL w/ Withered

dates w/ Nachtmystium
6/4 Spartanburg, SC @ Ground Zero w/ Withered
6/5 Raleigh, NC @ Volume 11 w/ Withered, Black Tusk
6/6 Louisville, KY @ Headliners w/ Black Tusk
6/7 St. Louis, MO @ Fubar
6/8 Nashville, TN @ Muse w/ Withered
6/9 Richmond, VA @ Alley Katz w/ Black Tusk, Strong Intention
6/10 Frederick, MD @ Krug's w/ Brutal Truth, Strong Intention
6/11 Philadelphia, PA @ Unitarian Church w/ Brutal Truth, Black Anvil, Tombs
6/12 Brooklyn, NY @ Europa w/ Brutal Truth, Black Anvil, Tombs
6/13 Providence, RI @ Club Hall w/ Brutal Truth, Black Anvil, Tombs, Howl
6/14 Milford, CT @ Daniel St w/ Howl
6/15 Manchester, NH @ Rocko's w/ Howl

6/16 Rochester, NY @ Bug Jar
6/17 Cleveland, OH @ Now That's Class w/ The Atlas Moth
6/18 Detroit, MI @ Blondie's w/ The Atlas Moth, Strong Intention
6/19 Chicago, IL @ Empty Bottle w/ Strong Intention
6/20 Chicago, IL @ Empty Bottle The Atlas Moth

Friday, April 2, 2010

Start Saving For Your Funeral

I love getting packages - especially when they're from sweet boys in sweet bands like Coffinworm that are willing to mail me t-shirts that I may or may not have been too tipsy to remember taking with me at SXSW.



Seriously, how rad is that design?

Preorder their VICIOUS new record (and Profound Lore debut!) HERE.

Thursday, April 1, 2010

CASTEVET Complete Work On Debut Album

File under: Good News!

This band seriously rules. They're from Brooklyn, and may have stolen a sip or two from the same goblet as Krallice, but tackle their sneakily subversive style of black metal with technical ecstasy and post-hardcore catharsis. Definitely going to be one of those bands that people glom onto and start praising to high hell as soon as promos get sent out. Fuck it - I saw 'em at Heart of Winter with a bunch of leather-clad heathens, and have been waiting for the rest of the world to sit up and take notice of 'em ever since.

According to my boy Bruni's website:

Brooklyn, NY’s CASTEVET have completed work on their debut album. Entitled “Mounds Of Ash”, the three-piece have already made quite a reputation in their local scene with their highly praised “Stones/Salts” 7” EP (which sold out pretty much immediately) and their strong live performances respectively.


Like an apocalyptic conjuring, a thrusting into utter darkness, almost coming across as a ritualistic summoning of an amalgamation of VOIVOD, progressive/post hardcore (i.e. RORSCHACH, UNSANE, ANODYNE , a band in which Castevet bassist J. Scott was once a part of coincidentally) and the haunting and disorienting avant-black metal dissonance found in the likes of such acts as VED BUENS ENDE and DEATHSPELL OMEGA, with “Mounds Of Ash” CASTEVET will rise to prominence within the forward-thinking movement of the underground extreme metal scene, one which is comprised by a very select few elite acts, while at the same time standing their own ground within their local scene. This will all come to prominence when "Mounds Of Ash" unleashes itself on May 25th, an album which will also become a sonic harbinger to the downfall of humanity.

With the band seeking to play live and tour as much as possible, tracklisting for “Mounds Of Ash” (which was captured in the Thousand Caves Studios by Colin Marston of KRALLICE) goes as follows:

1. Red Star Sans Chastity
2. Mounds Of Ash
3. Grey Matter
4. Red Aura
5. Stones
6. Wreathed In Smoke
7. Harvester

An MP3 of the track ‘Grey Matter’ can be heard via the MP3 section of Profound Lore's website!

Saturday, March 27, 2010

LISTEN TO THIS FUCKING BAND: Antietam 1862



The extreme music scene in RVA (or Richmond, VA if we're being formal) is so good, it's not really fair to the rest of us slogging away in the armpit of the East Coast. Yeah, we've got Javelina, Total Fucking Destruction, Rumpelstiltskin Grinder, Woe, Infernal Stronghld, Deathbeds, Bubonic Bear, and 1/4 of Brutal Truth, but the Richmond scene is just retardedly potent. Everyone knows about Municipal Waste and Lamb of God (even, ugh, GWAR) but let's talk about Cannabis Corpse, Battlemaster, Bastard Sapling, Occultist, Inter Arma, Ravn, and my new favorites, Antietam 1862, all supported and augmented by the mighty Forcefield Records and annual Heart of Winter fest. Speaking of A1862 - I just caught them at a show space in Baltimore last night, and they fucking KILLED. Imagine a seriously nasty mashup of Domination-era Morbid Angel, older Goatwhore, Dissection-styled melodies and cold, heartless mid-90's black metal; sound good? Sounds fucking GREAT if you ask me. As their warmongering moniker might imply, these four horsemen of the apocalypse deal exclusively in American lore, history, and fallacy when it comes to lyrics and themes; add in a killer Burzum cover for good measure, and it's safe to say that these burly black metallers are on to something viciously cool.




These sons of Southern darkness are SERIOUSLY worth checking out, so go LISTEN TO THIS FUCKING BAND.
http://www.myspace.com/antietamrva

Monday, March 15, 2010

Grim Kim vs. The Dirty South

So check it out. I'm heading down to Austin, TX for a slice of SXSW madness 3/17-3/19, then heading out on tour with SALOME until the 24th.



SALOME MARCH TOUR DATES

03/11 @ NYU, New York NY (w/ Shrinebuilder, Wolves in the Throne Room)
03/14 @ Little Hamilton Collective, Nashville (w/ Hull, Tombs, Evil Bebos etc.)
03/15 @ Vino’s, Little Rock, AR (w/ Iron Tongue, Zucura)
03/17 @ Emo’s, Austin, TX (SXSW, Brooklyn Vegan Day Party at Emo's)
03/19 @ Headhunters, Austin, TX (SXSW - Profound Lore/20 Buck Spin Showcase)
03/20 @ Michelle’s House, Baton Rouge, LA (w/ Thou, Black Market Ministry, 54R)
03/21 @ Magic City Wholesale, Birmingham, AL (w/ Dark Castle)
03/22 @ PS Warehouse, Atlanta, GA (w/ Dark Castle, Sons of Tonatiuh)
03/23 @ Slim’s, Raleigh, NC - Slim's

03/24 - scurrying back North as fast as my scrawny Yankee legs can carry me!

I'll be planted behind the merch booth slingin' shirts (they've got three brand-new designs, get 'em while they're hot!), lugging gear, and covering the whole shebang for a coupla publications. Come hang out and buy me whiskey shots.

Friday, March 12, 2010

Top Ten Albums of the Week - 3/6/10

Originally posted here: http://www.metal-army.com/?p=1419#more-1419

Here's some rekkids I can't stop spinning.


1. The Wounded Kings – The Shadow Over Atlantis (I Hate Records)

Incredible traditional doom from the British Isles. A delicious melange of vintage riffs and modern know-how, The Shadow Over Atlantis builds upon the foundations laid down by Cathedral, Candlemass, and the like, yet is sprinkled with sly tempo changes and wreathed in the kind of atmosphere Reverend Bizarre could only dream of. Essential.

http://www.myspace.com/thewoundedkings2

2. Burzum – Belus (Byelobog Productions)

Varg Vikernes’ return has yielded one of the most controversial releases of the year – and it’s only March. Whatever you might think of Vikernes, it’s impossible to deny the depressive brilliance of Belus, which recalls his classic black metal albums Filosofem and Hvis Lyset Tar Oss yet shows a marked increase of maturity as well. Addictive.

http://www.burzum.org/

3. Nux Vomica – Asleep in the Ashes (Aborted Society)

One of the best albums you’ve never heard. Portland’s finest transplants have created something truly special here, and I can’t endorse them enough. Epic melodic death metal meets crust punk meets aching doom, grinding black metal, and shimmering post-rock touches. Truly unique and beautifully cathartic.

http://www.myspace.com/nuxvomica2


4. Revenge – Triumph. Genocide. Antichrist. (Osmose Productions)

Borne from the ashes of Conquerer and heavily inspired by Blasphemy and Beherit, Revenge dole out bestial, take-no-prisoners show-no-mercy war metal on this, their debut. If you don’t know these guys, you don’t know shit. With their heavy distortion and blinding, barely-sane tempos, unhinged shrieks and cavernous production, Revenge could be called “black/grind” if they didn’t hate you so fucking much. Death to false metal.

http://www.myspace.com/revengeattackbloodrevenge

5. Neun Welten – Destrunken (Prophecy Productions)

Newest album from one my my favorite neofolk bands, Germany’s Neun Welten. An unspeakably beautiful collection of instrumental classically-inspired, semi-acoustic European dark folk songs for fans of Agalloch, Tenhi, and cold winter nights.

http://www.myspace.com/neunwelten

6. Palace of Worms – The Forgotten (Flenser Recordings)

I’ve been losing my shit over this record ever since it first landed in my mailbox. Haunting, howling, self-loathing black metal with lurching tempos and depressive tendencies, all overlain with the familiar chainsaw buzz, now perverted and infused with shreds of mangled post-rock. SO FUCKING GOOD.

http://www.myspace.com/tattooedinworms

7. Seidr – Blood in the Soil demo (Lundr Records)

Death/doom brilliance from A. Lundr of USBM visionaries Panopticon. Haunting, melodic, almost shamanistic – this is definitely a band to watch.

http://www.myspace.com/seidrdoom

8. Amebix – Arise! (Alternative Tentacles)

The soundtrack to my latest neck tattoos. This is the album that launched a thousand crust punk, black metal, and d-beat bands, and still stands a head and shoulders above them all. Amebix are not gods, but masters of their craft, and the best is yet to come. ARISE! GET OFF YOUR KNEES!

http://www.myspace.com/amebixuk

9. Negura Bunget – Maistret (Prophecy Productions)

The latest offering from these Romanian maestros of the riff. Maistret is a beautifully complex, multi-textured release steeped in archaic atmospheres and ritualism and populated by gorgeously crafted black metal odes to their Transilvanian homeland.

http://www.myspace.com/negurabunget

10. Hot Graves – various demo recordings (Satanik Recordings)

Gainseville, Flo-Rida’s nastiest. An unholy concoction of Hellhammer riffs, ravishing grimness, creeping death, Satanic sneer, crusty d-beats, punk-as-fuck attitude, and no-fi production, Hot Graves are ridin’ dirty and aiming low. You ain’t ready for this.

http://www.myspace.com/hotgraves

Tuesday, March 2, 2010

MUTILATION RITES Post New Demo Tracks



NYC black metallers Mutilation Rites have finally finished recording a few new tracks for their highly-anticipated (at least 'round these parts) first demo, and have posted 'em on Myspace for your listening pleasure. Head on over to their site and soak in three songs' worth of suffocating, heavily distorted riffs baptized in vintage Scandinavian fire and ice, inescapably dark shards of melody, and demonically rasped vocals from New York's most promising new underground black metal band. Ya heard.



As I've said before, I caught MR live at Richmond's Heart of Winter Fest in January, and goddamn did they slay. " They brought total aural devastation, nasty with primeval riffs and impassioned vocals. They were ugly, fast, and distorted, just as a New York black metal band SHOULD be (are you listening, Liturgy?)"

And I think it goes without saying that you need to go LISTEN TO THIS FUCKING BAND.

Sunday, February 28, 2010

Another Reason to LISTEN TO THIS FUCKING BAND

It's official: Morbus Chron are the BEST DUDES EVER.

Why? This handwritten letter that they sent along with their demo tape (only cassettes are real) should make it clear:



The pubes were a nice touch.

Thursday, February 25, 2010

LISTEN TO THIS FUCKING BAND: Hot Graves



As soon as I heard the first gnarly chord of Hot Graves' set at this year's Heart of Winter Fest in Richmond, VA, I was HOOKED. Hellhammer-smashed sounds, goat-worshipping ugliness, d-beaten crustiness, primeval death metalisms, blackened battle kommands and a punk-as-fuck attitude - what's not to love?

LISTEN here - http://www.myspace.com/hotgraves
WATCH here -



Excerpt from Revelations of Doom 2/25/10:

"Hot Graves swear allegiance to like-minded blasphemers in Archgoat, Discharge, Revenge, Hellhammer and Wolfbrigade with their genre-smashing amalgamation of black metal, thrash, crust punk, war metal and heavier-than-hell slabs of primitive death metal (think Necros Christos). Throw in the odd sizzling guitar solo, a quartet of Southern drawls sweet as Waffle House sizzurp, sick Anti-Cimex & Discharge covers and a tongue-in-cheek, fuck-you attitude, and you’ve got yourself one hell of a good time. Wonderfully raw, unabashedly old-school, and undeniably awesome, Hot Graves’ d-beat death dirges are essential listening for those of you that like it nasty. Are they reinventing the wheel? Hell no, but you can bet they’re throwing some pimped-out spiked rims on that bitch!"

Read the full post here: http://www.metalinjection.net/latest-news/desecration-time-hot-graves

And go LISTEN TO THIS FUCKING BAND.

Friday, February 19, 2010

Profound Lore Announcement: COFFINWORM

COFFINWORM - Complete Debut Album, New MP3 Posted

Along with their recent induction in the Profound Lore/20 Buck Spin SXSW showcase (to take place March 19th at Headunters in Austin, TX), Indianapolis, Indiana blackened sludge metal abomination COFFINWORM have completed their debut album, “When All Became None”.



Following their acclaimed “Great Bringer Of Night” demo, which was hailed as one of the best and most crushing demos released in 2009 (even by magazines such as Decibel, Terrorizer, and Metal Injection) and blew away pretty much all metal demos attempted last year, said demo doesn’t even hold a candle to the final product that is “Great Bringer Of Night”. Summoned with the aid of Sanford Parker (Nachtmystium, Yob, Yakuza, Twilight, Krieg etc.) within the confines of Semaphore Studios, “When All Became None” has revealed itself as the soundtrack to the demise of humanity, the destruction of Christ, imminent death, poser disposal, and in a nutshell, pretty much sounds like death, doom, and destruction.

The blasphemy and depravity that COFFINWORM conjure is something that mirrors a diabolical mix of the sludge doom madness of bands such as EYEHATEGOD and UNEARTHLY TRANCE, along with a vicious layer of black metal to heighten the aesthetic, and of course a nod to the old-school ala CELTIC FROST/HELLHAMMER, BATHORY, and AUTOPSY respectively.

As previously mentioned and announced (and reiterated once again), look for COFFINWORM to bring their perversity at SXSW this year as they will bring nothing but destruction to the stage hosting the Profound Lore/20 Buck Spin showcase on March 19th. As well, COFFINWORM have also been confirmed for a few other shows during SXSW. More details surrounding these other shows will be revealed shortly.

To officially be released mid April, tracklisting for “When All Became None” goes as follows:

1. Blood Born Doom
2. Start Saving For Your Funeral
3. Strip Nude For Your Killer
4. Spitting In Infinity’s Asshole
5. High On The Reek Of Your Burning Remains
6. The Sadistic Rites Of Count Tabernacula

An MP3 of the track ‘Start Saving For Your Funeral’ is now available via the MP3 section of the Profound Lore Website:

Friday, February 12, 2010

LISTEN TO THIS FUCKING BAND: Shadow of the Torturer



Paraphrased from my trio of Noisecreep features on the band:


The current incarnation of the band is comprised of three hardy scene veterans who've all done time in other bands (Aldebaran, H.C. Minds, North American Bison, the Fartz), and its original lineup boasted current and ex-members of Yob, Engorged, Fall of the Bastards and Oakhelm. As anyone with half an eardrum left can tell after suffering through the first three seconds of a Shadow of the Torturer song, this is not pretty music. It's not progressive or overly technical or accessible in any way; this is filthy, raw, misanthropic fuzz, slow as blackstrap molasses and oozing hate and distortion. Last year, Shadow of the Torturer hooked up with the sludge barons at Blind Date Records to unleash a strictly-limited vinyl version of their debut LP, 'Marching Into Chaos,' which is already in danger of selling out.

In short, DOOOOOOOOOOOOOOOOOOOOOOOOOOOOM.


Now go LISTEN TO THIS FUCKING BAND! http://www.myspace.com/shadowofthetorturer

Thursday, February 11, 2010

ARISE!




I am incredibly pleased and excited to announce that I will be working with crust punk legends Amebix as the band's official publicist and that my company Catharsis PR will be promoting their forthcoming new album. More updates soon! Watch this space...no gods, no masters.

Wednesday, February 10, 2010

Sadistik Exekution Are Death. Fukk You.

As I was looking over Nasko's answers from a recent Teitanblood interview I'd done for Terrorizer, one set of quotes popped out at me" "We are Death...Fukk you!"

He was referring to both his band's perceived genre, and to a certain bestial classic - Sadistik Exekution's 1994 LP "We Are Death...Fukk You!"

What follows is my favorite Wikipedia entry ever, if only for the fact that the phrase "We Are Death...Fukk You" HAS A FUCKING WIKIPEDIA ENTRY.




We Are Death... Fukk You! is the second album from Australian death metal band Sadistik Exekution. It was released in 1994 on Osmose Productions. The name of the album does not appear on the cover, as the band had intended it to be a self-titled release. However, singer Rok had written the words "we are death... fukk you" on the master tapes in protest against the label's marketing of them as a black metal band. Osmose mistakenly believed that was the title of the album, and released it as such. Drummer Sloth left during the recording, and some drum tracks were recorded by Steve Hoban.
[edit]Track listing

"Suspiral" – 2:44
"Burnt Offering" – 1:51
"Internal Klok" – 4:44
"Mathematikus" – 0:35
"Electrokution" – 2:06
"Lest We Forget" – 2:07
"Evoke War Vomit" – 4:28
"Astral Abortis" – 6:39
"Ipsis Simus" – 4:05
"Hades Valley" – 6:46
[edit]Credits

Rok - vocals
Dave Slave - bass
Kriss Hades - guitar
Sloth - drums
Steve Hoban - drums

________________________________

.BUY OR DIE.

LISTEN TO THIS FUCKING BAND: MITOCHONDRION





Filthy 'Domination'-era Morbid Angel grooves torn from the grave then mercilessly suffocated with no-fi production and gurgling slime? Yes please. Like every good extreme band ever (or at least Revenge and Blasphemy, which about covers it), Mitochondrion hail from Canada, and, much like every other good extreme metal band that is not Revenge or Blasphemy, have apparently signed to Profound Lore.

This music is about as noncommercial as you can get without turning into pure noise (and without being Merzbow if you've actually managed to create said pure noise). Unexpected moments of downtrodden, moody melody emerge like ghosts from the fog but are quickly dragged back down into the mire. As with new labelmates Vasaeleth, some will undoubtedly mislabel this viscous, roiling sonic mass as 'black metal,' but take heed: this is death metal at its filthiest and most bestial, down to its warm, still-beating heart.


Now go LISTEN TO THIS FUCKING BAND!

http://www.myspace.com/mitochondrion

Tuesday, February 9, 2010

New Noisecreep stuff: At the Gates, DOWN, Anti-Flag

I do more than just insult deathcore bands and rave about Swedish death metal.

Well, sort of.

More At the Gates worship:

http://www.noisecreep.com/2010/02/09/at-the-gates-dvd-documentary/

I did my little sister a favor...

http://www.noisecreep.com/2010/02/09/anti-flag-pay-tribute-to-a-fallen-fan/

Rex Brown: Still Badass.

http://www.noisecreep.com/2010/02/09/pantera-down-rex-brown-government/

NEW ENGLAND METAL AND HARDCORE FESTIVAL Lineup Is Announced. Grim Kim Is Not Amused.



According to a press release:

The New England Metal and Hardcore Festival will enter year 12 this April with an eclectic mixture of bands from the metal and hardcore genres. Returning to the Palladium in Worcester, Mass., the event will take place on Friday, April 23 and Saturday, April 24, with an extra special pre-party sponsored by Atticus on Thursday, April 22.

Bands performing on Friday April 23 include Mastodon, Between The Buried And Me, Baroness, Cro Mags, Earth Crisis, Death Threat, Death Before Dishonor, COA, American Me, Thick As Blood, Forfeit, XTheWarX, Grave Maker, Rose Funeral, Conducting From The Grave and Howl. Doors open at 3:00PM

Bands performing on Saturday April 24 include Cannibal Corpse, Amon Amarth, Job For A Cowboy, Whitechapel, Skeletonwitch, Eluveite, 1349, Impending Doom, Lecherous, Nocturne, Tony Danza, Chelsea Grin, Abacabb, Arsonists Get All The Girls, Malfice, Swashbuckle, Cattle Decapitation, Acaro, Holy Grail, Disembodied, Cruel Hand, Reign Supreme, The Mongoloids, XTyrantX, Foundation, Soul Control, Alpha Omega, Burning Empires, Mother Of Mercy, Gaza, Across The Sun and Monsters. Doors open at noon.

Tickets for Friday only cost $40.00. Tickets for Saturday only cost $46.00. A 2-day ticket costs $80.00. All tickets go on sale THIS FRIDAY FEBRUARY 12 at 10AM at all stores, online at or to charge-by-phone call (800) 477-6849.
Sponsors this year include Atticus who is sponsorsing the pre-party on Thursday April 22, Metal Blade Records sponsors the main stage, Monster Energy Drink is the official energy drink of the festival, All In Merch / 518 Prints is the official merch sponsor, R&D Express / Art Brigatta makes our festival banners and backdrops. Heavy Hitter coordinates all our radio promotions, Mazur Pr coordinates our media inquiries and Metal Injection supplies fans with all the videos and interviews on their site so you can get a preview of all the bands to perform, Jeremy Saffer from jeremysaffer.com and Aaron Peppelis from returntothepit.com provide all the official festival photos."

Now here's my take on it:




First off, no disrespect to my dear friends at Heavy Hitter, Metal Injection, Atticus, and the Rev. Aaron - y'all are champs.

Secondly - this is absolute rubbish. There are exactly 10 bands on the lineup that I give even a microscopic shit about, and out of the 10, I have seen... 9 before, multiple times, on better packages and in smaller venues. I'm going to assume that a majority of the metal-consuming public can say the same - at least the people that actually dig, you know, metal, instead of regurgitated hardcore/metalcore/deathcore bollocks. I understand that this is a metal AND hardcore fest (they give it away in the title) but, seriously, that's the best you guys could do? I've only made it up to one of the editions of this particular fest, and had a good time (thanks largely to good friends, Municipal Waste, free booze, a lovely interview with Erik Rutan and the heart-stopping awesomeness of drinking whiskey with Brian from EHG) but it's embarrassing how overwhelmingly weak the lineups have been.

Bands that rule:
Cannibal Corpse, Skeletonwitch, 1349, Amon Amarth, Lecherous Nocturne (NOT "Lecherous, Nocturne," as the press release stated, for fuck's sake), Howl.

Bands that are pretty cool:
Earth Crisis (I used to LOVE this band when I was 14, and Kurt Buechler digs black metal. No shame), Eluveitie, Cattle Decapitation

Band(s) I have not yet seen but am going to FUCK EVERYONE'S DAY UP TO:
Cro Mags, duh.

Bands that I think should quit music and go work at Radio Shack:
All the others.

Bands that will have sweet gym shorts for sale and spend the majority of their stage time trying to be Scott Vogel:
Death Before Dishonor, Reign Supreme, xTyrantx (Though I will admit, the singer's pretty hawt in a "I have prison tatts and shank bitches" kind of way)

Bands that will inspire beard-stroking, marijuana usage, and blank stares from xTyrantx fans:
Baroness, Mastodon, BTBAM

Bands I have never heard of (but still don't care about):
Foundation, Soul Control, Alpha Omega, Burning Empires, Mother Of Mercy, Across The Sun, Monsters

Band I have been meaning to check out purely because Curran told me to:
Gaza

Bands I really, REALLY fucking hate:
Rose Funeral, Whitechapel, Impending Doom, Arsonists Get All the Girls (for FUCK'S sake, did you really think that was a badass band name? FUCK), Tony Danza, Chelsea Grin, Abacabb, Job for a Cowboy (metamorphosing into a lackluster fifth-rate cover band of Morbid Angel's b-sides does not make you credible, it just makes you more annoying to death metal fans).

Amount of whiskey it would take me to make it through both days of this shitshow without getting kicked out or making some deathcore wanker cry:
Immeasurable.

Monday, February 8, 2010

HEART OF WINTER II on Brooklyn Vegan



Check out my debut post for Brooklyn Vegan (featuring incredible photography by my babygirl Diana Lee Zadlo) on the 2010 edition of Richmond, VA's HEART OF WINTER FEST. I'm stoked to be working with BV, and hope to contribute more in the coming months. Mad thanks to my man BBG for bringing me on board.


http://www.brooklynvegan.com/archives/2010/02/heart_of_winter.html

LISTEN TO THIS FUCKING BAND: Morbus Chron




Primitive yet preternaturally sophisticated death metal from a bunch of Swedish dudes. Sounds familiar, right? Except that most of the kids - yes, kids - in this band were FIFTEEN when they started, essentially making Decapitated look like elderly statesmen of the death metal scene. Recently signed to the always on-point Pulverised Records, we can expect to see a full LP of creeping death and putrid riffage from these whippersnappers sometime in the coming year. Consider me stoked.

Now go LISTEN TO THIS FUCKING BAND.

http://www.myspace.com/morbuschronband

Sunday, February 7, 2010

GO!

I'm going to make more of an effort to update this sumbitch and hopefully get some exclusive content up here - turn it into a *real* blog, instead of just a catch-all corner of the web for my sporadic ramblings. To put my money where my mouth is, as it were (or at least give me something to do besides procrastinate on this Bethlehem feature), I wanted to share a few thoughts about my adventures with At the Gates this weekend. Keep an eye out for (legitimate) extended features in Hails & Horns, Noisecreep, and on my Terrorizer.com blog (username Catharsis), as well.



So I went up to New York this past Friday afternoon to attend an invite-only screening for Swedish melodeath behemoths At the Gates' first DVD and interview axeslinger Anders Björler. A lot of familiar faces turned up, and to his well-hidden dismay, my man Bram from The Syndicate found himself fighting for precious elbow room and fending off my excited pokes whenever Skitsystem ("THEY'RE SO FUCKING GOOD") or Niflheim ("I KNOW THAT GUY!") popped up onscreen. The camera work wasn't incredibly professional (a few too many blurry shots and pensive "driving down a random highway" frames marred an otherwise well-done production) but the content is what really matters. After watching Tompa wander through his childhood elementary school and talk about his tape trading days, or seeing the naked emotion on original guitarist Alf Svensson's face as he was asked about his decision to leave the band at the height of their upswing, the viewer is left with no illusions whatsoever about the strong, yet fragile personalities that drove At the Gates into becoming what they were - and still are. The footage from their reunion lap across the globe struck a chord with this writer especially, as the reverent, fanatical, almost heartbreaking intensity with which fans met their heroes was laid bare. I remember watching At the Gates at both of their 2008 NYC gigs and being absolutely overcome by emotion. 'Slaughter of the Soul' was one of those albums that directly influenced the course of my musical development, and struck an incredible chord in my fifteen-year-old self. Seeing Tompa and the boys rip through their perfectly calibrated setlist - heavy on SOTS material, of course, though a few oldies slipped in - was an overwhelmingly euphoric experience. The fact that I got to see them do it from the side of the fucking stage made it even better!



(there I is - tucked away on the right!)

So the DVD screening ruled. I fully recommend that you check this baby out - it's a hell of a history lesson for those lacking in vital knowledge in the early Swedish death metal scene (though diehards will find plenty of interest, as well) and a fitting epitaph for a band that know better than to tarnish an untouchable legacy by recording new material. Would that Jon Jon Nödtveidt had had the same forsight (may the devil take his soul - R.I.P.). As various media types and a few stray Earache interns milled about and began trickling out the door, I nabbed Anders and stuck a microphone in his reserved, but perfectly cordial face. We talked tape trading, downloading, horror movies and Judas Priest until Earache's publicist Anthony started looking fidgety and herded us out the door. An impromptu photo session that found Anders shivering in the middle of a New York street (nervously eyeing the heartless taxi drivers hurtling his way) and dinner at some fancy-shmancy burger joint followed. We all ended up at Arrow Bar's weekly Heavy Metal Happy Hour event, where I proceeded to outdrink a sleepy Swede (Anders was on his last legs by 9pm - that Gothenburg-to-Gotham time difference is a bitch), make several new friends whose faces I'd be hard-pressed to pick out of a police lineup, and somehow manage to tear myself away from the Big Apple and head back to the (215) before Snowmageddon hit. Two feet of snow and a couple days later, I'm sequestered in my cozy little hole-in-the-wall procrastinating by writing this blog and getting ready to transcribe my interview with Anders (and about a million and a half more). A small part of me is still marveling at the fact that - dude, I totally MET Anders from AT THE FUCKING GATES! Fifteen-year-old me would have never seen that one coming, and twenty-two-year-old me is still pretty stoked, too. I've met, drank with, interviewed, and hugged the shit out of countless musicians I admire/worship by now, but there are still a few left out there that leave me starstruck - in theory if not in person. Anders is a perfectly nice, unassuming gent with a sly sense of humor; he's probably the least intimidating 'rockstar' ever, but dude was still in At the Gates!




Anyway, here are the deets on this DVD set, in case you were too lazy to look it up on metal-archives.com yourself :

Boxed set, Earache Records
February 22nd, 2010
[
Housed in a deluxe six-panel DVD digipak with a 40-page colour booklet, THE
FLAMES OF THE END will include three indispensable DVDs:

Disc 1 'Under A Serpent Sun - The Story of At The Gates' - a brand new
documentary with a running time of over 2 hours, detailing the band's entire
career with exclusive interviews and footage, filmed and directed by
guitarist Anders Bjorler.
Disc 2 'Purgatory Unleashed - Live at Wacken' - a 75-minute live set from
the band's reunion set at the Wacken festival in 2008 in front of 100,000
people.
Disc 3 'Only the Dead Are Smiling' - 26 rare and archive live performances
of the band playing in locations around the globe from 1991 - 2008.

Saturday, December 12, 2009

FAVORITE RECORDS OF 2009

So I've made four year-end lists at this point, and figured that I may as well combine 'em all into one massive self-indulgent post in my admittedly self-indulgent blog. 2009 was just too fucking killer to limit myself to a top 10, or even 20. I pulled it off - check out my Top 20 contributions in the next issue of Terrorizer, my Top Ten Black Metal Albums of 2009 on Noisecreep.com soon, my Top Ten Instances of Amplifier Worship over at my boy Brandon's new Stereogum column Haunting the Chapel, my Top Ten Records of 2009 That You've Never Head of for Metal Injection, and a very special list for my brotha BBG at BrooklynVegan. Still, it hurt. It hurt to leave out the Batillus EP, or Scythian album, or Rampant Decay demo, or the new Sunn 0))) record due to space/theme constraints, so without further ado, here's my complete list of favorite records that came out in 2009.

Fight me about them.

ALL-TIME FAVORITE ALBUM OF 2009:

Coffinworm – Great Bringer of Night (self-released)

RUNNER UP:


Blut Aus Nord - Memoria Vestusta II: Dialogue With the Stars (Candlelight)


THE BEST OF THE REST:


Archgoat - The Light Devouring Darkness (Blasphemous Underground)
Cobalt – Gin (Profound Lore)
Nux Vomica – Asleep in the Ashes (Aborted Society)
Diocletian – Doom Cult (Invictus Productions)
Fen – The Malediction Fields (Aural Music/Code 666)
Teitanblood – Seven Chalices (Norma Evangelium Diaboli/Ajna Offensive/Dauthus)
Shining - VI – Klagopsalmer (Osmose)
Skeletal Spectre – Tomb Coven (Razorback)
Destroyer 666 – Defiance (Season of Mist)
The Atlas Moth – A Glorified Piece of Blue Sky (Candlelight_
Brutal Truth – Evolution Through Revolution (Relapse)
Oak – Oak (A389 Records)
Peste Noire – Ballade cuntre lo Anemi Francor (De Profundis)
Ascended - Temple of Dark Offerings (Enucleation)
Funebrarum – The Sleep of Morbid Dreams (Cyclone Empire)
Amesoeurs – Amesoeurs (Profound Lore)
Gorgoroth - Quantos Possunt ad Satanitatem Trahunt (Regain)
Absu - Absu (Candlelight)
Altar of Plagues - White Tomb (Profound Lore)
Drudkh - Microcosmos (Season of Mist)
Lethe – Mnemosyne (Reptile)
Bestial Holocaust – Temple of Damnation (Crush Until Madness)
Seman Datura – Einsamkeit (ATMF)
Arckanum - Pppppppppp (Moribund)
Funeral Mist - Maranatha (Norma Evangelium Diaboli)
Krallice – Dimensional Bleedthrough (Profound Lore)
Javelina – Beasts Among Sheep (Relapse)
Ahab – The Divinity of Oceans (Napalm)
Ork Bastards – Final Price (Witch Hammer Productions)
Grave Miasma – Exalted Emanation (Sepulchral Voice)
Merrimack – Grey Rigorism (Moribund)
Zoroaster – Voice of Saturn (Terminal Doom)
Cormorant – Metazoa (Saturnine Media)
Dragged Into Sunlight – Terminal Aggressor (self-released)
Grave Miasma – Exalted Emanation (Sepulchral Voice)
Argentinum Astrum – Argentinum Astrum (Failed Recordings)
Pombagira – Black Axis Abraxis (Withered Hand)
Khanate – Clean Hands Go Foul (Hydra Head)
Church of Misery – Houses of the Unholy (Rise Above)
Shrinebuilder – Shrinebuilder
Manegarm – Nattvasen (Regain)
Rampant Decay – Antisocial Death March (Obscenity Cult)
YOB – The Great Cessation (Profound Lore)
Culted – Below the Thunders of the Upper Deep (Relapse)
Tombs – Winter Hours (Relapse)
Process Of Guilt – Erosion (Major Label Industries)
Scythian – To Those Who Stood Against Us…(Nectroterror)
Urgehal – Ikonoklast (Season of Mist)
Ramming Speed – Brainwreck (Candlelight)
Wolves In The Throne Room - Black Cascade (Southern Lord)
Infernal Stronghold – Godless Noise (Forcefield/KVN)
Litany for the Whale – Dolores (TBD Records)
Sunn 0))) – Monoliths & Dimensions (Southern Lord)
Wino – Punctuated Equilibrium (Southern Lord)
Immortal – All Shall Fall (Nuclear Blast)
Batillus – The Batillus (self-released)
Marduk – Wormwood (Regain)
Arkona – Goi, Rode, Goi! (Napalm)

Saturday, November 21, 2009

I write band bios sometimes.


Here's one I did for my friends in Salome (www.myspace.com/salomedoom - they SLAY).


SALOME BIOGRAPHY

Fort Awesome, Virginia’s slow-motion destroyers Salome came into being in 2006, after Kat and Aaron Deal decided to take their mutual love of Thorr’s Hammer and Khanate and start up a slow, heavy project of their own. Joined by Rob Moore on guitar, the trio started writing songs for what became their self-titled debut album. Salome was released in 2008 by Vendetta Records, and featured 45 minutes of pure sonic excess driven by Deal’s megalithic drumming, Moore’s soul-crushing riffs, and Kat’s cavernous roar. Drenched in feedback, downtuned to the point of no return, and tempered by moments of eerie calm, the four songs on Salome were nothing short of obliterating, and gained them a considerable amount of positive attention from the media and the fans alike.

A series of high-profile gigs followed, and saw Salome opening for doom god Wino’s solo project, sharing stages with the likes of Ocean, Black Anvil, and Woe as part of Pitchfork’s Show No Mercy series, and appearing at the inaugural edition of the Scion Rock fest alongside Neurosis, Mastodon, Boris, High on Fire, Nachtmystium, and dozens more. Vocalist Kat has also contributed guest vocals to a Pig Destroyer song (“Lost Cause” on 2004’s Terrifyer) and pulls double duty behind the mic in spazz grinders Agoraphobic Nosebleed.

In September 2009, Salome took their furiously cathartic live show on the road with Hull and Batillus on the aptly-christened “Beard Destroyers” tour, and a triumphant performance at Asheville, North Carolina’s Planet Caravan festival this past September saw them treading the boards with the immortals in Pentagram, Clutch, Wino, and dozens more. In addition, this past October they headed north to raise the dead on NYC’s Lower East Side as part of a high-profile Relapse Records/Brooklyn Vegan-sponsored CMJ showcase. They’ll be entering the studio in late 2009 to once again open up the gates of hell and record the follow-up to their critically acclaimed debut, which will proudly be released by Profound Lore Records in the first half of 2010. In the meantime, fans hungry for new Salome material will have a new split 12” LP with Baton Rouge sludge fiends Thou and a Fugazi cover (recorded for Blind Date Records’ CLONE compilation LP) to chew on.

As purveyors of the avant-garde, the up-and-coming and the criminally talented, this highly respected Canadian label provides a perfect home for Salome’s punishing down-tempo doom, and sets the stage for bigger, meaner, heavier things to come. Salome’s future is dark with promise.




- Kim Kelly 2009

Tuesday, November 3, 2009

Recent goings on


HI!

I haven't updated this in roughly a thousand years - blame a transcontinental move and the bristling hydra of inconvenience, red tape, and worry that is attempting to graduate from my astronomically-priced private university. Since I last posted, I've sold my soul to Terrorizer Magazine; here's what they've sucked out of me to date:

2-page feature on GORGOROTH (conducted an interview with Infernus at this year's Hole in the Sky Fest in Norway!!!)
4-page COVER feature on Skeletonwitch (December '09 issue - look for it!)
1-page pieces on Secrets of the Moon, Urgehal, Arkona, Leaves' Eyes
2-page History of Mayhem for the Black Metal Special
Small writeups on Krakow, Evil Bebos, Argentinum Astrum
Small memorial piece on Chris Witchunter for Decade Special
A million album reviews (including one of the new IMMORTAL record)
A couple lists of things
Live review of Jesu/Caina in London, Saint Vitus in NYC, Scythian/Grave Miasma in Birmingham
2-page "Extremity in Metal" feature for the Decade Special
+ more things I've forgotten

Currently working on:
2-page feature on Death/Doom for an upcoming Death Metal Special
3-page EYEHATEGOD tour report
3-page Scene Reports: Philly, Richmond, San Francisco
and who knows what else!

I've also cranked out a 3500 word cover piece on Thrash in 2009 for Hails & Horns, as well as two 1000-word Year in Black Metal/Year in Doom wrapups.

After flying out to Antwerp to catch one of their last gigs for the next couple years and bonding hardcore with the lads over Duvell and fries, I'm working with AMEBIX on a super exciting new project - shhh ;)




CONQUER ALL!

Sunday, August 23, 2009

GRIM KIM'S TOP TEN UNREADABLE BLACK METAL LOGOS

http://www.terrorizer.com/content/ravishing-grimness-grim-kims-top-ten-unreadable-black-metal-logos

Are YOU grim enough to read them all?

Saturday, August 22, 2009

Hails & Horns Reviews

These got published awhile ago, but in my search for the proper template for this month's reviews, I stumbled across the folder they were lurking in and, as a testament to my own cleverness (and foul mouth) decided to throw 'em up here for posterity.


GRIM KIM’S UNHOLY MASSACRE: Stripped, Raped, and Reviewed


Welcome to the inaugural edition of Grim Kim’s Unholy Massacre , the shortest, surliest review roundup this side of the Canadian-‘Merican border (big ups to Kevin Stewart-Panko and his indomitable Rimshots). This column was borne partly from my aversion to giving any new record that isn’t black metal, doom, old-school death or grind a fair shake, but mainly from my own seeming inability to submit reviews to my long-suffering editors on time and bullheaded unwillingness to stop writing them. Basically, this is my way of saying “I don’t have time to write 300 fucking words on every album that lands in my mailbox but really wanted to talk about how awesome a couple of them were anyway.”
Welcome to hell!


Absu – Absu (Candlelight)
Absolutely fucking amazing, viciously relentless melodic black thrash with the odd moment of atmosphere here and there. Seriously, if you enjoy black metal on any level, go buy this right now. The best thing they’ve done since Tara.

Millions – Gather Scatter (Seventh Rule)
Tightly-wound, frantic, noisy hardcore for dudes that dig Pissed Jeans and Wetnurse. Sounds like a faster Black Flag (circa My War), updated for 2009. Nice.

Bloodbath – The Fathomless Mastery (Peaceville)
Akerfeldt and Co. cleaned up their act, shined up their production values, got a little technical, and somewhere along the way, lost the old-school magic that their first album conjured up. A solid album (“Mock the Cross” rules), but no Nightmares Made Flesh. Come on, guys – where’s “Eaten Pt. II”?

16 – Bridges to Burn (Relapse)
The sludge/hardcore vets return with a bottom-heavy, crunchy collection of songs to drink whiskey to. The soundtrack to a rough night.

Throne of Katarsis – Det Iskalde Mørket (Candlelight)
A severely underappreciated bunch of black metallers that adhere strictly to the Norwegian style of the early ‘90s. Think early Darkthrone or Immortal, with the slightest hints of vintage Ulver –styled melodies peeking through. This one’s for the old guard.

Wino – Punctuated Equilibrium (Southern Lord)
Exactly what you’d expect a Wino solo album to sound like – spacy, mellow, bluesy, riff-worshipping stoner rock straight outta the ‘70s. Fire one up, kick back, and soak in the good vibes.


Rumpelstiltskin Grinder – Living for Death, Destroying the Rest (Relapse)
These dudes were playing old-school crossover thrash before it got cool again, and will still be tearing shit up onstage long after the freshly-minted hordes of newjack mall thrashers have hung up their high tops and moved onto the next trend. Catchy as fuck, tinged with black & death metal, and unabashedly fun, THIS is what thrash should sound like in 2009.

Gathiens – Nesh (Murkhouse)
Elegant, expansive, slightly experimental post-everything songs for fans of Russian Circles, Mouth of the Architect, Mono, and the soft-loud dynamic. Slow-burning and star-gazing.

Acid Witch – Witchtanic Hellucinations (Razorback)
Cheesy synth lines and B-movie samples aside, this album serves up a bubbling brew of fuzzed-out doom, psychedelic swamp fumes, subterranean gut vocals, and knuckle-dragging death metal; you can practically smell the resin oozing out of your speakers. Also, what’s not to like about a concept album that features such gems as “Witches Tits” and “Rabid Werewitch”? Clearly, this album rules.


Thyrfing - Hels Vite (Regain)
Atmospheric black metal that’s been lumped in with the “folk/Viking metal” crowd for far too long. No flutes, no fiddles, and no fucking around – simply dense, huge-sounding slabs of darkness that bring to mind recent efforts from like-minded souls Moonsorrow and Falkenbach. KILLER album.
.

Blut Aus Nord – Memoria Vetusta II – Dialogue With The Stars (Candlelight)
An immensely satisfying return to form for BAN, this album recalls the purposeful melodies and black metal thunder of their more straightforward early material, generally shying away from the jagged mindfuckery of their last few records. You seriously need to hear this.

Cobalt – Gin (Profound Lore)
The best black metal release of the year so far, hands fucking down. Enough said. Buy it and you’ll see what I mean.